WIth a lyrical intensity, Amanda Dettmann reviewed Antique Densities in The Cafe Review: "With close attention to oral histories and faults of memory, Navicky’s work invites us to vulnerably enter new rooms of self–recognition while speaking to human limitations. We can never read everything; we often stare at screens to ingest two seconds of a story. Navicky poses: What if we started seeing books on the floor as casualties?...By paradoxically placing enduring language inside ephemerality, Navicky welcomes return, suffering, expansive holding, and an unrealized freedom surviving any sticky shelf life."